90 styles
Proximity
The Collection
· 7 Families
AaBbCc 012345 6789?!,.
Sampler
Long years ago, before the evil days had dawned,
King Volsung ruled over all the land which lies between the sea and the country of the Goths
THE DAYS WERE GOLDEN
and the good Frey dropped peace and plenty everywhere, and men went in and out and feared no wrong. King Volsung had a dwelling in the midst of fertile fields and fruitful gardens.
Fairer than any dream was that dwelling. The roof was thatched with gold, and red turrets and towers rose above. The great feast-hall was long and high, and its walls were hung with sun-bright shields; and the door-nails were of silver.
In the middle of the hall stood the pride of the Volsungs,—a tree whose blossoms filled the air with fragrance, and whose green branches, thrusting themselves through the ceiling, covered the roof with fair foliage. It was Odin’s tree, and King Volsung had planted it there with his own hands.
Mimer
Shake thyself
Love Proximity?
Use it for your project or try it out.
Students, we’ve got you covered.
Subscribe and get 80% off
Check our student dealGlyphs
Cap Height
X-Height
Baseline
Descender
a
Uppercase
Lowercase
Digits
Punctuation & Symbols
Information
Proximity originated as a custom-designed italic font for PROXIMA, a collaborative studio for creative direction and production in live music, based in Barcelona. Rooted in PROXIMA’s ethos of collaboration, process, and temporality, the font reflects the studio’s mission to design ephemeral atmospheres through collective work tailored to each project. The studio values connection, dialogue, and care in curating creative teams, principles that inspired the conceptual foundation of the typeface: a pixel grid symbolising individual elements that, when connected, form complex and meaningful structures, i.e. communities that are greater than the sum of their parts. While it begins as a pixel-based font, Proximity evolves into a broader type system comprising six additional families: two formed by horizontal and vertical lines, two that merge all pixels into continuous fluid shapes, and two expressive outlined styles that maximise visual variety. Beneath its pixelated surface lies the framework of a refined, highly versatile serif typeface with distinctive details, one that breaks free from the tropes of 8-bit and computerised aesthetics often associated with this modular approach and bridges them with the sophistication and nuance of classical typography. Designed for clarity and uniqueness at any size, the typeface spans three weights with matching italics, and it’s available in both static and variable formats, each cut coming with an adjustable pixel size for precise typographic control and great potential for animated content.
Credits & Details
- Designed by
- Valerio Monopoli
- Released in
- 2025
- Developed for
- Latin European Languages
- Export
- TTF, WOFF